210 bars of 3/4 -- not four -- at 102 BPM, 7:08 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 57, 59-63 and 65, and 10 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 91 times: bars 16, 20, 21, 22, 23, 24 and 85 more.
24 more fills are written out on the fills page.
210 bars across 12 sections: 93 keep time, 91 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 10-15.
102 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
210 bars, about 7:08 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 91 times: bars 16, 20, 21, 22, 23, 24 and 85 more.