221 bars of 4/4 at 143 BPM, about 6:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-45 -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 5 times: bars 136, 200, 211, 212 and 220.
221 bars across 18 sections: 180 keep time, 5 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 7-45.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
221 bars, about 6:11 at the written tempo. The course breaks it into 54 exercises over 21 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 136, 200, 211, 212 and 220.