173 bars of 4/4 at 150 BPM, about 4:29 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 32-34, 36-38 and 64-66, and 5 more places -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 39 times: bars 35, 39, 40, 44, 46, 49 and 33 more.
14 more fills are written out on the fills page.
173 bars across 19 sections: 72 keep time, 39 are fills, 23 are stops and 25 are silent. The longest unbroken stretch of time is bars 10-17.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
173 bars, about 4:29 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 39 times: bars 35, 39, 40, 44, 46, 49 and 33 more.