64 bars of 4/4 at a walking 103 BPM, 2:29 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 33, 35-39 and 41-46 -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 40, 47, 48, 56 and 64.
64 bars across 5 sections: 35 keep time, 5 are fills, 5 are stops and 16 are silent. The longest unbroken stretch of time is bars 17-24.
103 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
64 bars, about 2:29 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 40, 47, 48, 56 and 64.