139 bars of 4/4 at 150 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15-21, 29-35 and 86-92, and 1 more place -- 20.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 2, 4, 13, 27, 28, 57 and 11 more.
3 more fills are written out on the fills page.
139 bars across 15 sections: 91 keep time, 17 are fills and 10 are stops. The longest unbroken stretch of time is bars 71-84.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 55 out of 100; the rest of the number is everything around it.
139 bars, about 3:42 at the written tempo. The course breaks it into 48 exercises over 18 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 2, 4, 13, 27, 28, 57 and 11 more.