83 bars of 4/4 at a walking 97 BPM, 3:25 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-15, and 2 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 4, 26, 53, 54, 55, 56 and 2 more.
1 more fill is written out on the fills page.
83 bars across 7 sections: 62 keep time, 8 are fills and 2 are stops. The longest unbroken stretch of time is bars 64-82.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
83 bars, about 3:25 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 4, 26, 53, 54, 55, 56 and 2 more.