146 bars of 4/4 at 140 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 25-32 and 79-86 -- 16.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 6 times: bars 41, 42, 43, 95, 96 and 97.
146 bars across 12 sections: 99 keep time, 6 are fills, 20 are stops and 5 are silent. The longest unbroken stretch of time is bars 125-146.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 47 out of 100; the rest of the number is everything around it.
146 bars, about 4:10 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 6 times: bars 41, 42, 43, 95, 96 and 97.