208 bars of 3/4 -- not four -- at 125 BPM, 5:19 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-20, 22-23 and 25-26, and 9 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 29 times: bars 42, 43, 45, 47, 83, 93 and 23 more.
10 more fills are written out on the fills page.
208 bars across 19 sections: 129 keep time, 29 are fills, 18 are stops and 6 are silent. The longest unbroken stretch of time is bars 20-41.
125 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
208 bars, about 5:19 at the written tempo. The course breaks it into 78 exercises over 27 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 29 times: bars 42, 43, 45, 47, 83, 93 and 23 more.