164 bars of 4/4 at a walking 91 BPM, 7:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22, 26-27 and 46, and 13 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 16, 20, 24, 28, 36, 40 and 22 more.
8 more fills are written out on the fills page.
164 bars across 15 sections: 93 keep time, 28 are fills, 3 are stops and 18 are silent. The longest unbroken stretch of time is bars 29-35.
91 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
164 bars, about 7:08 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 16, 20, 24, 28, 36, 40 and 22 more.