73 bars of 4/4 at 110 BPM, about 2:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27, 29 and 31-33, and 2 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 26, 30, 42, 46, 58, 62 and 2 more.
1 more fill is written out on the fills page.
85 bars across 14 sections: 41 keep time, 8 are fills, 6 are stops and 21 are silent. The longest unbroken stretch of time is bars 72-79.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
73 bars, about 2:28 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 26, 30, 42, 46, 58, 62 and 2 more.