78 bars, 4:11, at 74 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 2-7, hi-hat through bars 8-14, silence through bars 15-16, hi-hat through bars 17-24, kick and crashes through bars 25-26 and snare through bars 27-34, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 8-10, 12-14 and 35-37, and 8 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x------xx-x--x--|1 fill to learn, played 1 time: bar 60.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
74 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
78 bars, about 4:11 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 60.