78 bars, 4:11, at 74 BPM: slow enough that every note is exposed. Crash, hi-hat, snare and kick and nothing else.
The beat the song is built on is one bar, played through bars 8-10, 12-14 and 35-37, and 8 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 60.
78 bars across 10 sections: 63 keep time, 1 is a fill, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 28-40.
74 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
78 bars, about 4:11 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 60.