67 bars at 185 BPM -- fast, and 1:26 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-8, 11 and 40-42, and 4 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 9, 13, 23, 31, 35, 37 and 9 more.
7 more fills are written out on the fills page.
67 bars across 10 sections: 35 keep time, 15 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 44-52.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
67 bars, about 1:26 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 9, 13, 23, 31, 35, 37 and 9 more.