126 bars of 4/4 at a walking 101 BPM, 4:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 85-91, 93 and 95-99 -- 10.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 36 times: bars 5, 6, 7, 8, 9, 10 and 30 more.
17 more fills are written out on the fills page.
126 bars across 10 sections: 62 keep time, 36 are fills, 13 are stops and 4 are silent. The longest unbroken stretch of time is bars 109-115.
101 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
126 bars, about 4:59 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 36 times: bars 5, 6, 7, 8, 9, 10 and 30 more.