132 bars of 4/4 at 130 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-11, 14-15 and 17-20, and 10 more places -- 33.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 39 times: bars 6, 7, 8, 32, 33, 34 and 33 more.
10 more fills are written out on the fills page.
132 bars across 11 sections: 73 keep time, 39 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 11-31.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
132 bars, about 4:04 at the written tempo. The course breaks it into 41 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 39 times: bars 6, 7, 8, 32, 33, 34 and 33 more.