133 bars of 4/4 at 150 BPM, about 3:30 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 77-78, 115 and 117-119, and 1 more place -- 9.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 30 times: bars 1, 2, 3, 4, 5, 8 and 24 more.
12 more fills are written out on the fills page.
133 bars across 14 sections: 77 keep time, 30 are fills, 5 are stops and 9 are silent. The longest unbroken stretch of time is bars 27-34.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
133 bars, about 3:30 at the written tempo. The course breaks it into 64 exercises over 21 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 30 times: bars 1, 2, 3, 4, 5, 8 and 24 more.