172 bars of 4/4 at 130 BPM, about 5:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 25-31 and 53-59, and 3 more places -- 24.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 31 times: bars 8, 10, 12, 14, 15, 16 and 25 more.
8 more fills are written out on the fills page.
172 bars across 14 sections: 126 keep time, 31 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 34-51.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
172 bars, about 5:18 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 8, 10, 12, 14, 15, 16 and 25 more.