180 bars of 4/4 at a walking 99 BPM, 6:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-22, 24-26 and 28-30, and 5 more places -- 13.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 40 times: bars 10, 11, 15, 19, 23, 27 and 34 more.
8 more fills are written out on the fills page.
191 bars across 21 sections: 116 keep time, 40 are fills, 6 are stops and 13 are silent. The longest unbroken stretch of time is bars 156-170.
99 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
180 bars, about 6:57 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 40 times: bars 10, 11, 15, 19, 23, 27 and 34 more.