82 bars of 3/4 -- not four -- at 82 BPM, 3:17 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-46, 50 and 54, and 4 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 4 times: bars 70, 71, 72 and 73.
82 bars across 9 sections: 61 keep time, 4 are fills, 1 is a stop and 13 are silent. The longest unbroken stretch of time is bars 43-69.
82 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 12 out of 100; the rest of the number is everything around it.
82 bars, about 3:17 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 70, 71, 72 and 73.