217 bars of 4/4 at 150 BPM, about 5:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 100-106, and 3 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 8 times: bars 9, 13, 26, 27, 40, 116 and 2 more.
1 more fill is written out on the fills page.
217 bars across 18 sections: 102 keep time, 8 are fills, 44 are stops and 53 are silent. The longest unbroken stretch of time is bars 127-145.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
217 bars, about 5:36 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 9, 13, 26, 27, 40, 116 and 2 more.