97 bars of 4/4 at a walking 88 BPM, 3:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8, 20-22 and 24-26, and 1 more place -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 25 times: bars 1, 2, 3, 18, 19, 23 and 19 more.
10 more fills are written out on the fills page.
97 bars across 13 sections: 56 keep time, 25 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 4-10.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
97 bars, about 3:40 at the written tempo. The course breaks it into 48 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 25 times: bars 1, 2, 3, 18, 19, 23 and 19 more.