139 bars of 4/4 at 138 BPM, about 4:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-39, 46-52 and 54-56, and 3 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 13 times: bars 1, 5, 9, 17, 33, 41 and 7 more.
6 more fills are written out on the fills page.
139 bars across 15 sections: 79 keep time, 13 are fills, 33 are stops and 1 is silent. The longest unbroken stretch of time is bars 19-32.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 19 out of 100; the rest of the number is everything around it.
139 bars, about 4:02 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 1, 5, 9, 17, 33, 41 and 7 more.