85 bars of 4/4 at a walking 88 BPM, 3:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 24-29 and 44-49, and 2 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 16 times: bars 15, 16, 23, 32, 33, 34 and 10 more.
3 more fills are written out on the fills page.
85 bars across 9 sections: 51 keep time, 16 are fills, 4 are stops and 9 are silent. The longest unbroken stretch of time is bars 52-59.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
85 bars, about 3:50 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 15, 16, 23, 32, 33, 34 and 10 more.