55 bars of 4/4 at a walking 77 BPM, 2:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-8 and 15-16 -- 11.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 21, 22, 23, 25, 36, 37 and 4 more.
1 more fill is written out on the fills page.
55 bars across 7 sections: 29 keep time, 10 are fills and 12 are silent. The longest unbroken stretch of time is bars 13-20.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
55 bars, about 2:50 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 21, 22, 23, 25, 36, 37 and 4 more.