48 bars of 4/4 at a walking 100 BPM, 1:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 17-18 and 45-46 -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 16, 19, 32, 40, 44, 47 and 1 more.
1 more fill is written out on the fills page.
48 bars across 10 sections: 23 keep time, 7 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 26-31.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
48 bars, about 1:55 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 16, 19, 32, 40, 44, 47 and 1 more.