205 bars of 4/4 at a walking 85 BPM, 9:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 44-50, 60 and 62, and 5 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 37 times: bars 35, 43, 51, 53, 55, 56 and 31 more.
14 more fills are written out on the fills page.
205 bars across 24 sections: 118 keep time, 37 are fills, 3 are stops and 28 are silent. The longest unbroken stretch of time is bars 173-199.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 38 out of 100; the rest of the number is everything around it.
205 bars, about 9:37 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 37 times: bars 35, 43, 51, 53, 55, 56 and 31 more.