192 bars of 4/4 at 150 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 64-69, 72-77 and 140-146 -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 5, 6, 26, 27, 47, 59 and 15 more.
7 more fills are written out on the fills page.
192 bars across 20 sections: 111 keep time, 21 are fills, 35 are stops and 7 are silent. The longest unbroken stretch of time is bars 108-118.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
192 bars, about 5:07 at the written tempo. The course breaks it into 74 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 5, 6, 26, 27, 47, 59 and 15 more.