106 bars of 4/4 at a walking 95 BPM, 4:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-7, 9-15 and 25-29, and 4 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 20 times: bars 16, 23, 32, 36, 39, 40 and 14 more.
9 more fills are written out on the fills page.
106 bars across 9 sections: 74 keep time, 20 are fills and 3 are stops. The longest unbroken stretch of time is bars 1-15.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
106 bars, about 4:28 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 16, 23, 32, 36, 39, 40 and 14 more.