147 bars of 4/4 at 112 BPM, about 5:15 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27, 35 and 47-49, and 10 more places -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 27 times: bars 25, 26, 34, 42, 44, 45 and 21 more.
7 more fills are written out on the fills page.
147 bars across 18 sections: 92 keep time, 27 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 103-117.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
147 bars, about 5:15 at the written tempo. The course breaks it into 43 exercises over 10 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 25, 26, 34, 42, 44, 45 and 21 more.