54 bars of 4/4 at a walking 94 BPM, 2:18 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28-30 and 36-39, and 2 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 12 times: bars 14, 22, 23, 24, 27, 33 and 6 more.
5 more fills are written out on the fills page.
54 bars across 6 sections: 32 keep time, 12 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 5-13.
94 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
54 bars, about 2:18 at the written tempo. The course breaks it into 27 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 14, 22, 23, 24, 27, 33 and 6 more.