195 bars of 4/4 at 143 BPM, about 5:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-8, 10-12 and 14, and 1 more place -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 33 times: bars 1, 9, 13, 15, 16, 52 and 27 more.
11 more fills are written out on the fills page.
195 bars across 14 sections: 100 keep time, 33 are fills, 15 are stops and 32 are silent. The longest unbroken stretch of time is bars 34-51.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
195 bars, about 5:27 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 33 times: bars 1, 9, 13, 15, 16, 52 and 27 more.