32 bars of 4/4 at a walking 80 BPM, 1:36 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 12-14, 16-18 and 21-22 -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 4 times: bars 10, 30, 31 and 32.
32 bars across 5 sections: 18 keep time, 4 are fills and 6 are silent. The longest unbroken stretch of time is bars 13-19.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 37 out of 100; the rest of the number is everything around it.
32 bars, about 1:36 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 10, 30, 31 and 32.