86 bars of 4/4 at a walking 106 BPM, 3:13 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 38-40, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 21, 25, 29, 37, 41, 45 and 8 more.
4 more fills are written out on the fills page.
86 bars across 11 sections: 45 keep time, 14 are fills, 6 are stops and 12 are silent. The longest unbroken stretch of time is bars 55-61.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
86 bars, about 3:13 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 21, 25, 29, 37, 41, 45 and 8 more.