97 bars of 4/4 at a walking 95 BPM, 4:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-26, 29-30 and 45-46, and 7 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 12 times: bars 2, 3, 4, 5, 6, 7 and 6 more.
97 bars across 8 sections: 76 keep time, 12 are fills and 1 is silent. The longest unbroken stretch of time is bars 78-96.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
97 bars, about 4:05 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 2, 3, 4, 5, 6, 7 and 6 more.