74 bars of 3/4 -- not four -- at 87 BPM, 2:33 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 29-31, and 3 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 8, 27, 28, 32, 36, 38 and 5 more.
1 more fill is written out on the fills page.
74 bars across 14 sections: 46 keep time, 11 are fills and 7 are silent. The longest unbroken stretch of time is bars 14-18.
87 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
74 bars, about 2:33 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 8, 27, 28, 32, 36, 38 and 5 more.