105 bars of 4/4 at a walking 85 BPM, 4:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 45-47, and 1 more place -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 4, 8, 20, 24, 28, 32 and 10 more.
6 more fills are written out on the fills page.
105 bars across 17 sections: 60 keep time, 17 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 73-78.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
105 bars, about 4:54 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 4, 8, 20, 24, 28, 32 and 10 more.