110 bars of 4/4 at 140 BPM, about 3:09 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 5 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 16, 24, 58 and 110.
110 bars across 15 sections: 80 keep time, 4 are fills and 4 are silent. The longest unbroken stretch of time is bars 50-57.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
110 bars, about 3:09 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 16, 24, 58 and 110.