136 bars of 4/4 at a walking 105 BPM, 5:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18-20, 26-28 and 35-37, and 8 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 2 times: bars 71 and 92.
136 bars across 14 sections: 105 keep time, 2 are fills, 1 is a stop and 16 are silent. The longest unbroken stretch of time is bars 19-49.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
136 bars, about 5:40 at the written tempo. The course breaks it into 33 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 71 and 92.