145 bars of 4/4 at a walking 102 BPM, 5:39 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 17, and 20 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 22, 43, 64, 74, 95 and 116.
145 bars across 18 sections: 105 keep time, 6 are fills, 12 are stops and 1 is silent. The longest unbroken stretch of time is bars 118-129.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
145 bars, about 5:39 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 22, 43, 64, 74, 95 and 116.