161 bars of 4/4 at a walking 94 BPM, 6:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 6-12, 14-17 and 19, and 1 more place -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 25 times: bars 13, 20, 21, 45, 46, 76 and 19 more.
13 more fills are written out on the fills page.
161 bars across 13 sections: 61 keep time, 25 are fills, 49 are stops and 11 are silent. The longest unbroken stretch of time is bars 24-32.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
161 bars, about 6:41 at the written tempo. The course breaks it into 53 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 25 times: bars 13, 20, 21, 45, 46, 76 and 19 more.