62 bars of 4/4 at a walking 85 BPM, 2:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8, 10-12 and 22-24, and 4 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 15 times: bars 7, 9, 13, 21, 25, 29 and 9 more.
6 more fills are written out on the fills page.
62 bars across 5 sections: 39 keep time, 15 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 14-20.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
62 bars, about 2:55 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 7, 9, 13, 21, 25, 29 and 9 more.