88 bars of 4/4 at a walking 80 BPM, 4:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 2 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 16, 38, 42, 60, 64, 68 and 6 more.
2 more fills are written out on the fills page.
88 bars across 14 sections: 51 keep time, 12 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 9-15.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
88 bars, about 4:23 at the written tempo. The course breaks it into 41 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 16, 38, 42, 60, 64, 68 and 6 more.