93 bars of 4/4 at a walking 97 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-38, 40-44 and 59-60, and 2 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 16 times: bars 13, 18, 31, 39, 45, 49 and 10 more.
8 more fills are written out on the fills page.
93 bars across 11 sections: 59 keep time, 16 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-12.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
93 bars, about 3:49 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 13, 18, 31, 39, 45, 49 and 10 more.