250 bars of 4/4 at a walking 100 BPM, 11:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 84-92, 94-96 and 98, and 1 more place -- 6.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 64 times: bars 45, 53, 57, 59, 61, 63 and 58 more.
20 more fills are written out on the fills page.
250 bars across 24 sections: 114 keep time, 64 are fills, 10 are stops and 35 are silent. The longest unbroken stretch of time is bars 172-185.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
250 bars, about 11:11 at the written tempo. The course breaks it into 96 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 64 times: bars 45, 53, 57, 59, 61, 63 and 58 more.