502 bars of 4/4 at 125 BPM, about 15:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 134-148, 150 and 152, and 7 more places -- 8.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 51 times: bars 4, 5, 6, 7, 8, 9 and 45 more.
24 more fills are written out on the fills page.
502 bars across 44 sections: 330 keep time, 51 are fills, 32 are stops and 36 are silent. The longest unbroken stretch of time is bars 370-391.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
502 bars, about 15:55 at the written tempo. The course breaks it into 157 exercises over 48 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 51 times: bars 4, 5, 6, 7, 8, 9 and 45 more.