233 bars, 20:13, at 41 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 68-72, 76-78 and 80, and 21 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
30 fills to learn, played 47 times: bars 28, 32, 34, 36, 38, 40 and 41 more.
26 more fills are written out on the fills page.
233 bars across 12 sections: 164 keep time, 47 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-27.
41 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
233 bars, about 20:13 at the written tempo. The course breaks it into 70 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 47 times: bars 28, 32, 34, 36, 38, 40 and 41 more.