146 bars of 3/4 -- not four -- at 200 BPM, 2:33 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-53, 55-61 and 63-65, and 3 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 30 times: bars 6, 18, 19, 21, 22, 24 and 24 more.
8 more fills are written out on the fills page.
146 bars across 11 sections: 95 keep time, 31 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 104-118.
200 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
87 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 85 out of 100; the rest of the number is everything around it.
146 bars, about 2:33 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 30 times: bars 6, 18, 19, 21, 22, 24 and 24 more.