125 bars at 172 BPM -- fast, and 2:54 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 20-25, 28-33 and 62-67, and 3 more places -- 28.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 30 times: bars 9, 17, 18, 19, 26, 27 and 24 more.
7 more fills are written out on the fills page.
125 bars across 10 sections: 84 keep time and 30 are fills. The longest unbroken stretch of time is bars 87-96.
172 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
125 bars, about 2:54 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 9, 17, 18, 19, 26, 27 and 24 more.