110 bars of 4/4 at 120 BPM, about 3:36 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-41, 43-44 and 61-67, and 2 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 8, 15, 16, 24, 32, 42 and 18 more.
5 more fills are written out on the fills page.
110 bars across 9 sections: 76 keep time, 24 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 34-41.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
110 bars, about 3:36 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 8, 15, 16, 24, 32, 42 and 18 more.