127 bars of 4/4 at 150 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 20, and 11 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 15 times: bars 8, 10, 18, 22, 35, 43 and 9 more.
6 more fills are written out on the fills page.
127 bars across 15 sections: 57 keep time, 15 are fills, 35 are stops and 8 are silent. The longest unbroken stretch of time is bars 91-102.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
127 bars, about 3:23 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 8, 10, 18, 22, 35, 43 and 9 more.